Roles:

Audio Director

• Recruit & manage internal and external sound designers and composers, dialog editors
• Evaluae tehnology & tools to support development and future expansion
• Work with different disciplines to identify and champion audio integration into the development process.
• Identify work flow optimizations and create solutions
• Mentor & onboard & train team members
• Work with acoustician on studio build and gear purchase
• Optimized build of studios to be modular and relocatable by pre-planning the company expanding which saved the company money and time to rebuilding as we did  at a new location 5 years later.
• Source & manage & direct voice talent for Atlas Reactor

Technical Audio Architect & Technical Sound Designer:

• AudioKinetic WWise audio architecture design
• Audio workflow design
• Tools support design
• Technical implementation
• Audio features design & documentation
• Systems Design & Prototyping
• Contributed to Audiokinetic’s WWise’s positional sound tool by suggestion ambiant system behaivor improvements to virutally track WWise objects so they behave as though they are actually in the game world. This allows for the complex movement and tracking of ‘virtual’ things moving in the world.
• Audio QA & bug fixing

Postproduction & Game Mix Engineer

• Cut Scenes 
• Dynamic Game Mixing : RIFT, Trove, Atlas Reactor
• Game Trailers – Full CGI & Gameplay videos

Sound Designer

• Creatures Vocal & Foley (designed to scale, and be modular for maximum expansion of beahiors)
• Footsteps (pioneered a new type of seamless world footstep audio system which was reactive to surface and liquids)
• Immersive reactive ambiances (reacts to players and npcs)
• Spells, Weapons (melee, ranged, DOT, AOE
• Advanced WWise Techniques – including pioneering a template system for fast work flow

Music Production / Direction

• Collaborated wth
  • Inon Zur
  • Rob King (GreenStreet Studios)
• Continued Inon’s legacy on as primary composer for Starfall Prophecy expansion due to budgetary restraints. Was very well received by both public & Inon.
• Technical music implementation across launch to final DLC.
• Authored alternate runtime mixes 
• Authored runtime generative music
• Created emotion mixes of the same content and implemented moods across the world

Roles:

• Same roles as RIFT
• Designed new music system based on player requests.
• Volan Battle
  • Sound Design
  • Technical Implementation
  • Mix
  • Music direction and technical implementation
  • QA & Bug Fix.

Roles:

• Same Roles as RIFT

Roles:

• Composer (bandcamp)
• Audio Director
• Technical Audio Implementer
• Mix Engineer